This excoriating piece by Hubert Horan explains remarkably clearly (if not very succinctly) why Uber’s business is worth nothing like the valuation it currently has. It’s a loss-making business propped up by wealthy investors which is likely to never make a profit.
Brent is making a subtle point here:
1. Algorithms weigh signal.
2. In the domain of engagement, outrage and anger mask all other signals.
3. These signals are fatiguing. As Outrage: 5 is normalized, Outrage: 10 is now required to move the needle.
This is why I spend increasingly less time on social media. It makes me sad and angry. Not because people are bad, or because, even that the companies themselves are evil. The problem is that when you create a system that rewards “engagement” what you’re really rewarding is content that makes you angry.
And this why I intend to post here a bit more often, and also why I’m not really intending to do much pushing of this on the social media channels that ruin my mood. The rising emotions and the need for the simulation of social interaction is what hooks me into these channels, but what they give in return is nothing like the pleasure of a real social interaction, leading me to try and get more. And this, in turn, exposes me to yet more content that makes me angry.
It’s a vicious circle of anger and unfulfilled promise, and increasingly, I hate it.
A slightly different approach this week, with a track-by-track breakdown of the playlist. There’s also a link at the end to the ongoing archive of all the playlists.
1. The Dead by Nakhane
From Nakhane’s album, which was released last year, but re-released in the UK and US this year with Anohni accompaniment on New Brighton. This is a dark, melodic track representative of the great You Will Not Die album.
2. Buoys by Panda Bear
The title track Panda Bear’s water-focused album, Buoys with his recognisable sample and loop lead experimental pop.
3. Activate by Theon Cross feat. Moses Boyd & Nubya Garcia
Theon Cross plays tuba for Sons of Kemet, but this is from his recent solo outing showing the drum and bass infused jazz making up what is a really solid album.
4. Now That I Found You by Carly Rae Jepsen
Always fun to hear a new song from Carly Rae Jepson, and this pop gem doesn’t disappoint.
5. 10 Good Reasons for Modern Drugs by The Twilight Sad
Couldn’t resist a title like this, but under any circumstances, The Twilight Sad keep alive what the best of indie has to offer.
6. Sentimental Lady by Duke Ellington & Johnny Hodges
Sentimental Lady is one of Duke Ellington’s classic pieces, written in 1943. This is a late recording from 1959 which rightly focuses the attention on Johnny Hodges, showing off the skills that make him recognised as one of the world’s greatest saxophonists.
7. Con Altura by ROSALÍA & J Balvin feat. El Guincho
Is J Balvin’s thing making that hooty noise in the background of tracks? Whether it’s this or Mi Gente with Beyonce, though, you can fault a great pop track.
8. Seventeen by Sharon Van Etten
This was dismantled in a recent episode of Song Exploder, and both the song itself and that podcast are well worth many listens
9. Nursery Rhyme by Sarah Tandy
Sarah Tandy is a piano player from London and this, from her new album, is an emotional piece featuring an all-star of British jazz stars.
10. Straight To You by Nick Cave & The Bad Seeds
One of my favourite songs by Nick Cave, which I was reminded of, oddly, by Evan Dando’s cover on his most recent Varshons album. The cover’s not amazing, but this original certainly is.
This one’s a little late, but I’m hoping to do one of these each month from now. As you can see from below, this has been a very reading-heavy month. That’s a good thing since reading is always the thing I want to do the most of (followed by watching films and listening to music). The London Library’s really opened up a whole world of wonderful books to read.
Round the Fire Stories
The New Testament: A Translation
I also read The New Testament this month. It’s a weird collection of books (the ones left out are weirder, however). I wrote about it here.
This is not one of my favourite Dickens novels, but neither is it terrible. I wrote about it here.
This is the biography of Bukowski by David Stephen Calonne. It’s workmanlike rather than inspiring, but gives a certain insight into an intriguing (and often rather problematic) poet.
The Waste Land and Other Poems
If you’ve read any selection of my posts recently, you’ll have noted that quite a lot of them come back to this poem one way or another. I wrote about it here.
The Cambridge Companion to The Waste Land
As above. This was one of my first Cambridge Companion books, though, and I really enjoyed it. The fact it’s just a series of essays on the subject at hand makes it easy to dip in and out of. My suspicion is that they’re mainly written for undergraduates to be able to quote at least 3-4 essays in anything they’re writing without having to read many books, but all I’ve found so far have had high-quality essays from multiple viewpoints.
A comic on the Apollo moon landings. I wrote about it here.
From Ritual To Romance
Mentioned in Eliot’s notes to The Waste Land, I wrote about it here.
TS Eliot and the Lay Reader
A rather idiosyncratic, but enjoyable view on all of Eliot’s writing. I wrote about it here.
Guns, Germs and Steel
When I read this I assumed it was relatively recent, but in fact it’s about 20 years old. Basically, it’s a broad sweep of human history showing how the particular features of various human groups owes a great deal to their geography.
It’s A Don’s Life
I’ve been reading a fair amount of Mary Beard recently. This is just a collection of posts from her excellent It’s A Don’s Life blog, but if you’ve never really read it before (as I hadn’t) this is a good place to start.
More Eliot. These are essentially the last four poems he wrote (before moving on to verse plays that I find less satisfying). They’re beautiful and intricate philosophical reflections on time and being and reward multiple re-readings. I also enjoyed Ralph Fiennes’s reading of them on Audible.
The Cambridge Companion to T.S. Eliot
I think of the two, this broader look at Eliot’s career is more enjoyable than the Cambridge Companion just to the Waste Land.
Remarks on Frazer’s Golden Bough
This is Wittgenstein’s take on Frazer’s Golden Bough and I wrote about it here.
I Capture the Castle
I’d heard various people say this was their favourite novel, so I thought I should see what I made of it. It’s lovely, and I suspect if I was a bit younger when I first read it, it might of been one of my favourites too.
The Power of Art
Simon Schama’s book to accompany the TV series of a few years ago. As with a lot Schama’s other works, it’s full of bold assertions about the inner motivations of its key players, but it’s a style I enjoy and his passion for the art in question is clearly deep.
Aldous Huxley’s debut that I wrote about here.
Women & Power: A Manifesto
More Mary Beard, I wrote about this one here.
How the World Thinks: A Global History of Philosophy
A book by Julian Baggini trying to right the wrong that western philosophy departments thinks there’s no thinking going on outside the west. It’s a very commendable attempt, but I rarely found it hugely illuminating or exciting. I hope many more follow in his footsteps, however.
The Kindergarten Teacher
A strange, but haunting film. I wrote about it here.
A compelling thriller with excellent central performances. Returning home for a wedding, a family explore old wounds and jealousies.
Part horror, part social commentary, all excellent. I wrote about it here.
When I first discovered Shura’s electro-pop I thought she was a new artist. In fact, the English singer been releasing records for a few years. Her album from 2016, Nothing’s Real is great, as is her new single, BKLYNLDN. I recommend trying out What’s It Gonna Be and 2Shy.
Allison Miller’s Boom Tic Boom
Allison Miller’s is an outstanding drummer. Often drummer-led albums can be rather niche and tedious. This album certainly leads on rhythm, and showcases Miller’s talent, but it’s full of great tunes.
LCD Soundsystem Electric Lady Sessions
LCD Soundsystem in their live-band format perform hits mostly from the last album, but a few others too. Added to that, the cover of Chic’s I Want Your Love is joyous.
I’ve really enjoyed Running by Helado Negro. Haven’t listened through the album yet, but it’s on the list.
Malcolm Gladwell and Rick Rubin’s series interviewing people in the music industry has started a new series. The episodes interviewing Questlove and David Byrne are two of the best music-related podcasts in the last year.
Brady Heywood Podcast on Apollo 13
I don’t have many ground-breaking TV recommendations because I haven’t been watching it much, but Queer Eye remains one of the best pieces of reality TV ever made. High quality, touching and genuinely heartwarming.
This Time with Alan Partridge
On the other end of the scale, this is some of the most excruciating TV you can watch. It’s laser-guided uncomfortableness.
We start this week’s playlist with a new single from Bury St Edmunds’s finest – Gaffa Tape Sandy – it’s a sweet little track from the band from my hometown and I think it deserves some more attention.
LCD Soundsystem remain one of my favourite bands, and their recent album of tracks recorded as a band (rather than the normal studio versions, which are basically James Murphy alone) is a lot of fun – a reminder of how excellent they are live. The cover of Chic’s I Want Your Love is my highlight though, with Murphy and the band giving a nod to a band who have influenced them heavily.
In the jazz-heavy second half, I’d like to draw attention to Glitter Wolf by Allison Miller’s Boom Tic Boom – Allison Miller is an absolutely breathtaking drummer and the whole album (also called Glitter Wolf) foregrounds her immense talent without ever feeling like relying on her virtuosity to hold attention – the tunes are great.
- Headlights by Gaffa Tape Sandy
- Open by Rhye
- i want your love (electric lady sessions) by LCD Soundsystem
- Ride by TV on the Radio
- Shuruba Song by Dexter Story feat. Hamelmal Abate
- April In Paris by Thad Jones
- Glitter Wolf by Allison Miller’s Boom Tic Boom
- Light Years by The National
- A Night In Tunisia (Live, Evening) by Sonny Rollins
- End IV by Giancarlo Erra
I’ll warn you that however many times I hear the new Shura single, I think something is wrong with my headphones. Nevertheless it’s a great single. With the death of Scott Walker this week I had to include one of my favourite tracks of his. Also, we’ve got the new Ezra Collective single, which is fantastic and bodes well for the album. Polishing it off, we’ve got the wonderful Half Man Half Biscuit painting a picture of a visit to a 24 hour garage.
- BKLYNLDN by Shura
- Jackie by Scott Walker
- 1950 by King Princess
- I Don’t Know by Slum Village
- Quest For Coin by Ezra Collective
- To the Landing by Typical Sisters
- I Want To Be Happy by Thelonious Monk, Sonny Rollins & Max Roach
- UFOF by Big Thief
- Without You by Model Man
- Twenty Four Hour Garage People by Half Man Half Biscuit
Beard leaps through history expertly linking Telemachus in the Odyssey telling his mother to go away and shut up because the men are talking to similar (if differently worded) experiences of men talking over women in boardrooms worldwide. Or female politicians photoshopped into the face of Medusa (Caravaggio’s or Cellini’s being the examples stated), as an example of modern audiences using classical tropes as a means of showing male dominance over female attempts at power.
This is a short book that doesn’t look at length at any of these comparisons, as you’d expect from their creation as non-academic lectures, but this makes the book extremely accessible and gives Beard a platform to talk about misogyny in modern life. I found it reminded me of an Ezra Klein podcast (sorry, male voices again) in which a series of interviews he and his interviewees have reiterated the point that issues like misogyny or even animal rights are not single-human moral issues as much as they are systemic society-wide issues. As such, Beard’s situating of misogyny in a grand arc of history make the extremely important point that we have the option to continue to reinforce these problems by operating in these societal structures, or to challenge them as and when we can. As such, it can make an example of the vile shouting of some idiot man on Twitter be seen not as the powerful agent of the patriarchy, but as a symptom of a diseased society. The latter of which seems like something we could, possibly, recover from.
Continuing Beard’s experiences on Twitter, she briefly references examples of men explaining Roman History to her. Obviously, a first thought is ‘what idiot would do that?’ But secondly, there’s the more insidious consideration that not only did a man (many men in fact) feel confident enough to lecture a Cambridge Classics Professor about the subject that she has devoted her life to, but they did it in a public forum, knowing that all their friends and family could be watching. The first of those is an example of the ridiculous things a patriarchy produces (dozy, over-confident men). The latter shows that it’s the society itself that the man is operating in that gives him the confidence to continue, and it’s that that is both important, and hard, to change.
Beard doesn’t, despite the ‘manifesto’ subtitle, give an awful lot of solutions to these societal problems (solving misogyny in a 100 page book would be a big ask, even for someone of Beard’s talents and capabilities), but her role as a classical historian in showing these problems in their broader context is both important and a very enjoyable read.
(Image is the really rather creepy Fulvia With the Head of Cicero by Pavel Svedomsky)